Wednesday, March 11, 2009

ASAP 09: Star Magic's Full Circle Dance Prod. March 1, 2009


Song: Universal Mind Control by Common Ft. Pharrell
Choreography by: Mickey Perz
Dancers:
Michelle Murenec
Dianne Medina
Kristel Moreno
Heidi Riego
Mickey Perz
Thou Reyes
Rodjun Cruz
Tim Espinosa
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Tuesday, February 24, 2009

Tim Espinosa on WOWOWEE February 20, 2009







ASTIGG!
Dancers: Michelle Murenec, Heidi Riego, Kristel Moreno, Dianne Medina
Mickey Perz, Thou Reyes, Rodjun Cruz, and Tim Espinosa.

Monday, February 2, 2009

ABS-CBN Channel 2 Dance Class





Dancers: Jon Avila

Thou Reyes

Arron Villaflor

Tim Espinosa

Don of G-Force

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Mahusay! Good try, Jon. ;D

Friday, December 26, 2008

Backstory : Just can't stop the beat! by Lea Salonga

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BackstoryJust can’t stop the beat! By Lea Salonga
Philippine Daily Inquirer
First Posted 00:36:00 12/11/2008

MANILA, Philippines—Last Sunday afternoon I made a date with my daughter to see Atlantis Productions’ “Hairspray.” Now, it’s no secret that my little one really, really loves this musical. She asks to see the movie several times a day (since she was a year old) and, by this time, has grown very familiar with the characters and the music.

I figured, since the musical (the film incarnation anyway) was already something she could relate to at the level of a two-year-old, our date would be something special. Besides, I think she’s grown a bit tired of “Cinderella” by now.

We arrived at the Star Theatre quite early in order to beat the holiday traffic (I’ve found myself stuck in it enough times, and cussed under my breath whenever I’m cut off by an aggressive bus driver on Edsa). That gave me plenty of time to hang out with Bobby Garcia (director) and Chari Arespacochaga (co-director of “Avenue Q” and director of one of Atlantis’ future musicals, “Spring Awakening”), and let my daughter pose in front of a few “Hairspray” signages in the lobby.

Charm to spare

The show came and went without incident… the leads had chemistry and charm to spare, and it was extremely exciting to see old friends onstage doing what they do best. Menchu Lauchengco-Yulo was deliciously vicious as Velma von Tussle; it was such a thrill and delight to see Enchang Kaimo back on stage… and boy, I had no idea Nyoy Volante could dance like that!

Madel Ching was great as Tracy Turnblad, Tim Espinosa eternally charming as Link Larkin, and Michael de Mesa’s male self was almost completely gone in his Edna Turnblad. Not a bad pair of legs, either. Dulce’s singing was a powerhouse, as it always is. The rest of the cast was energetic and irrepressible… and must have developed a great deal of stamina in order to dance as much as they did for those two hours. Pacing was tight, and there were no lulls in, or between scenes. I also have to congratulate Archie Castillo, who conducted FILharmoniKA. That orchestra never fails in its excellence.

Two complaints

I have only two complaints, given the high quality of the show and its performers: the Star Theatre, I’m presuming, wasn’t built for the purpose of staging musicals, hence the sound quality wasn’t at the standard I would have expected for this kind of a show. There are limits to a venue, but Bobbit and his crew did their best, and so I wasn’t plagued with the same issues that previous audiences had complained about. Second, I’d have wanted to hear the dialogue with more clarity. This is something I noticed with the more seasoned performers: Enunciation was never a problem, and I could hear with crystal clearness most, if not all, of their lines. It’s something that more training can definitely improve, and I hope to see many of these newcomers do this, and hear from them, in future productions, exactly what they’re trying to say.

Charismatic cast

Having said that, this was an extremely charismatic, attractive and talented group of people, and I was incredibly lucky to see them all on one stage, in one show. I have great hope for all of these young actors and actresses and wish to see more of them.

Kudos to Bobby Garcia for his indeterminable patience, besides his directorial chops; and to Cecile Martinez for harnessing all that young energy into those dance numbers. Thanks, all of you, for making my daughter dance and smile.

After the performance, we were delighted to be invited to the company’s between-show dinner. Nicole was then able to meet Tracy (Madel, who Nic shadowed for most of the meal) and Link. Of course, she had her pictures taken with her Ninang Menchu and Tito Michael. Thank goodness my mother taught her how to smile.

Bangkok, for sure

And we’re off to Bangkok… for sure!

Over the last few days I’ve been reading the news with much more attentiveness than usual, to find out what’s been going on in Bangkok. As I write, the airport operations are normal, and our company manager has sent an e-mail to let us know that we’re definitely heading over there. By the time you read this, I should be nicely settled into my hotel.

I’m quite excited to return to “Cinderella,” even if it’s just for eight performances in Bangkok. It’s been quite an interesting experience going on tour with the same show. It’s something new, yet familiar with each city we visit. Another adventure awaits us, and the mystery of a brand new audience.

Please say prayers for our safety. We’re not in Bangkok for very long, but I do pray for an uneventful stay. Then again, maybe there’ll be another snafu… something I can definitely write home about!

Wish list

My wishes for the holidays:
1) Smooth-flowing traffic at all times of the day.2) Easy parking at the malls.3) No crowds in stores, no matter what time you go.4) Not hearing the words, “Sorry po, out of stock.” Or a quick-thinking salesperson with an alternative selection.5) Shorter checkout lines.6) Longer tempers.7) A spirit of sharing with others less fortunate than us.8) Common sense… at every level, for everyone.9) A safer place to live.10) The absence of fear.
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http://afleasalonga.multiply.com/journal/item/251/Backstory_Just_cant_stop_the_beat

Tuesday, December 23, 2008

JOURNAL ONLINE: Tim Espinosa's Bday Writeup.

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TIM: THEATRE IS DIFFERENT ANOTHER
by: Remy Umerez

Star Magic December celebrant is Tim Espinosa who appeared in a lead role in Hairspray as Link Larkin. He feels very fortunate to have been chosen by Atlantis Productions and director Bobby Garcia for the role. He says that the discipline the theater or stage offers is different from the experience he gained in TV and movies. For his Hairspray performance, he gained the nod of the critics. Tim used to be a member of Star Circle 15 and he turns 22 on December 20.

Yes, he has a girlfriend whose name he won’t divulge. He says She’s a real nice girl.

Meanwhile, other December-born ABS CBN Star Magic stars include: Jessy Mendiola, Yeng Constantino, Roden Araneta, Dionne Monsanto, Yulio Pisk, Mika dela Cruz, Michelle Murenec, Makisig Morales, Rico Barrera and Jake Cuenca.
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http://www.journal.com.ph/index.php?issue=2008-12-15&sec=3&aid=80512



HAPPY BIRTHDAY IDOL!!

Wednesday, November 19, 2008

HAIRSPRAY MANILA Review




Last night, my daughter and I were lucky enough to acquire tickets to a special preview of "Hairspray" staged by Atlantis Production at the Star Theater in the CCP Complex. Since the feel-good Broadway musical was just so recently given the Hollywood treatment again in the 2007 film with John Travolta, Michelle Pfeiffer and Zac Efron, the characters, story and songs are still quite fresh in my mind. And the thought of seeing these songs come alive on stage was very exciting.


The show opened a bit awkwardly with plus-sized teenager Tracy Turnblad (played by Ateneo junior Madel Ching in her major stage debut) in bed singing "Good Morning Baltimore." There were still microphone glitches at that point as Ching's lyrics could hardly be heard, but the energy and sincerity of her performance carried her through. However, starting with the second scene set at the Corny Collins (Leo Rayos) tv show, everything picked up more steam and this high level was sustained through the whole show.


The first thing you would see and admire are the vibrant costumes and very colorful set pieces. Everything was in multicolored polka dots or plaid or some psychedelic designs of the era. They should fix Amber's wig though as her hair was not neat and not most fab out there (considering that she was running for Miss Hairspray). There was no questioning why this is a Broadway hit, since the songs are very catchy and the choreography was very energetic. Of course, needless to say, the star-studded cast was so consistently exuberant!


I honestly could not imagine Michael de Mesa as Edna Turnblad (Tracy's mom) at first. But after the initial shock of seeing him in a fat suit and dowdy housedress, Mr. de Mesa definitely got into the groove of performing in drag. He is a scene stealer every time he appears on stage, and was especially funny with his various voice inflections. You really have to see it to believe it. My favorite was his very charming duet song and dance number with Leo Rialp (as Edna's husband Wilbur Turnblad) "You're Timeless to Me."


Ms. Menchu Lauchengco-Yulo was so effectively glamourous yet sinister as the villainess Velma von Tussle, as expected. Nyoy Volante's acting was so smooth and really grooved so fluidly as Seaweed J. Stubbs. I never thought he could dance very well. Dulce played Motormouth Maybelle with that right combination of sass and dignity. Her rendition of the power ballad "I Know Where I've Been" was a definite show-stopper. Ok, that may have been expected, but Ms. Dulce's funky outift and dancing was pleasantly not expected at all. It was so rad (to use an expression of that era).


It was really enjoyable seeing every single "teenager" on that stage, from the leads to the chorus, all projecting undeniable energy.


It was also very remarkable that the lead roles of Link Larkin and Tracy Turnblad both went to newcomers to the world of theater. Tim Espinosa had great stage presence, and a grand time flashing that constant smile and making all the girls swoon as the teen heartthrob Link. He was also effective in the more serious moments with Tracy. His rendition of "Ladies' Choice" may only be ok vocally, but hey, the attitude and moves were all there, and this was only their first public performance! I think this signals the arrival of another leading man for the stage.


As the heart and soul of the play, Madel Ching clearly loves her character Tracy and lives her spirit. She was obviously nervous at the beginning as her movements were tentative but lyrics were not too well enunciated. However with every subsequent song and dance number, you feel her confidence was building up to that of a seasoned pro. She possesses the requisite charm and friendliness of all the other Tracys before her, very cute!


I also liked how they staged "Mama, I'm a Big Girl Now" (not in the 2007 film, featuring the three moms and daughters Tracy, Amber and Penny). And of course, who would not enjoy and even feel like dancing along to the finale number, "You Can't Stop the Beat"?


There were many young kids in the audience last night, including my 8 year old daughter. But there were some definite rated PG scenes, like grabbing of some body parts (by Ms. Enchang Kaimo no less!). But these were hilarious and all done in the spirit of clean fun!


Overall, the Atlantis production of "Hairspray" definitely retains its reputation as a pure feel-good crowd pleaser. It is really fun to watch! The color, glitz and energy of the whole production made it rise above the rather low key venue of the Star Theater, or the difficulty of portraying US racial issues using an all-Filipino cast. Congratulations to director Mr. Bobby Garcia and the rest of the cast and crew for a job very well done!

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Hairspray is directed by Bobby Garcia, choreography by Cecile Martinez, sets and costumes by Gino Gonzales, lighting design by Shoko Matsumoto and Musical Director Archie Castillo conducts FILharmoniKA. It runs from Nov. 14 to Dec. 7 at the Star Theatre, CCP Complex. Tickets are on sale now by calling Atlantis Productions at 892-7078, 840-1187 or Ticketworld at 891-9999.
Lower Orchestra Php 1,200 (Rows A-I)Upper Orchestra Php 1,000 (Rows J-S)Loge Php 800 (Rows T-X)Balcony Php 600 (Rows Y-Z)

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Philippine Daily Inquirer: November 09, 2008


'Hairspray' : new musical theater stars

By Chari ArespacochagaPhilippine Daily InquirerFirst Posted 23:59:00 11/09/2008



MANILA, Philippines - We all saw how the most recent “Hairspray” movie found its adorable Tracy in the person of the very adorable Nikki Blonsky. She was said to have screamed with delight in her barista uniform when she found out she was to play the lead role in the movie. Needless to say, a star was born.


When “Hairspray” debuted on Broadway in 2002, in the cast with the powerhouses were young and upcoming performers Laura Bell Bundy as Amber, Kerri Butler as Penny and Matthew Morrison as Link.


The show went on to win numerous Tony awards, and the young performers went on to become Broadway stars in their own right.


Bundy created the role of Elle Woods in “Legally Blonde.” Butler donned an Australian accent and some leg warmers—much to to the audience’s delight—in “Xanadu.”


Morrison has become one of Broadway’s favorite romantic leads with acclaimed back-to-back turns in “Light in the Piazza” and last year’s Tony-winning revival of “South Pacific.”


Young pack
As Atlantis Productions’ highly anticipated “Hairspray” draws closer and closer to its Manila premiere, one can’t help but wonder at the future some theater newcomers will face after they begin their professional careers with this show.


Until then, they will be busy dancing and singing to the delightful music of “Hairspray.”
Leading the young pack are Madel Ching and Tim Espinosa playing Tracy Turnblad and Link Larkin, respectively.


Madel was a discovery from Ateneo Blue Repertory, where she played the hip-hopping nerd in “High School Musical.” When she auditioned for the role, it was clear that, with her ebullience and cheer and constant state of joy, she was perfect for Tracy.


Tim was one of the members of Star Magic Batch 15 at ABS-CBN, after coming home to the Philippines from the US. Before this, he was training as a dancer and actor with various community groups in California.


Giving strong support to Madel and Tim are the rest of the Baltimore kids: Criena House, Mark Tayag, Christine Allado, Lee Villoria, Erika Cedilla, Michael Odoemene and Karla Reyes.
Largely products of summer workshops and school theater and music organizations, they are brought together by their love for Broadway and affinity for the show. After all, how many shows are there for young performers to be able to perform in and play their own ages?


Madel recalls: “I’ve known ‘Hairspray’ since I was in high school. I fell in love with it, mostly because I identified with Tracy and everything that she stood for. She was a girl who, like me, just wanted to dance, sing and perform for people. So when I heard Atlantis was going to do it in Manila, I knew I couldn’t let the chance pass.”


Challenges
Now that they are all past the audition jitters and are in the thick of rehearsals for the show, the challenges and expectations have grown.


Lee, who plays Little Inez, shares: “Rehearsing for ‘Hairspray’ is wonderful! It’s an honor for me to be working with some of the hardcore theater people of our country.”


The theater stalwarts he’s referring to include Michael de Mesa, Leo Rialp, Menchu Lauchengco-Yulo, Noel Rayos, Enchang Kaimo and Dulce.


Mark says: “Tito Leo once told me, ‘You have to give three times what you’re giving now so your story can reach the very back of the theater.’ And I try to always bear that in mind.”


They also recall the day when Dulce belted her way in and out of her songs and they were just stunned into silence (an unusual occurrence in a room of hyper kids).


Says Tim: “I am learning so much from all of them and not just about performing but more about the values that give performers longevity—perseverance, hard work, discipline and time management.”


Excitement
All rehearsals, of course, must end with a show. And, at this prospect, their excitement is palpable.
Christine says: “All of the elements of musical theater are hyped up and exaggerated to the highest level in ‘Hairspray.’ The singing is intense, the dancing is extreme, the acting is exaggerated (in a good way), the sets are fabulous, the costumes are adorable, and the story is just perfect, really. We promise, at the end of everything, you’ll find yourself giddy and at the edge of your seat because of the euphoria that ‘Hairspray’ brings!”


Acclaimed director Mike Nichols, while teaching an acting class, once said: “The actor’s job is to say his lines for the first time. Each time.”


And if the fine rapture of that first time is what counts, then these young ones are all a good reason to come and watch “Hairspray.”


“Hairspray” runs Nov. 14-Dec. 7 at the Star Theater, CCP Complex. For tickets, call Atlantis Productions at 8927078, 8401187 or Ticketworld at 8919999.

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